![]() ![]() So this means that if you have the tape saturation knob at 0.0, then everything below 400hz will have odd harmonics generated, and above 400hz it will only be third harmonic. 6.0 saturation you basically always get odd harmonics.This appears to be a simple saturator that adds odd harmonic content for parts of the signal odd harmonic generation is: SendsĮach mixbus in Mixbus 32c has a tape saturation process. I’ve rarely used it when mixing, but it’s come in handy when trying to tame some very sharp percussive elements that were causing pumping in another compressor down the signal chain later. It doesn’t let any signal pass the threshold. The limiter is exactly what you’d expect from a limiter. The limiter exhibits no saturation beyond what would be expected from a dynamics processor.You can see the fixed 200ms stage in both, with the top having a very fast hump showing the second stage and the middle having a smooth transition from the first stage. In the images above the top is a 1ms release time and the middle is 225ms. The first stage is a fixed ~200ms, followed by the second stage which is close to the labelled value. The limiter appears to have a 2 stage release. The release is variable with the default labelled value as 15ms at 12 o’clock.With an input of -18dbFS, the signal was reduced to a peak of -20dbFS. The limiter has a fixed ratio and attack. Let’s just dive in and go through what the Mixbus 32c mixer offers. Each channel has a selection of features that optionally can be sent to a mixbus with a number of features that goes to a master bus with a number of features which can optionally go through a monitoring section with a number of features. The mixer in mixbus is not your typical digital summing box. I don’t think that this is necessarily the best use of Mixbus, since it’s a fantastic full-fledged DAW in its own right, however it is one of the best aspects of Mixbus. For Mixbus32C: A monitor with a height of 1200 pixels (or more) is highly recommended.Mixbus is often seen as a program that, after doing all of your work in another DAW, you drop in stems and mix with.For Mixbus: A monitor with a height of 900 pixels (or more) is highly recommended.600 MB available hard disk space (for program installation only).A full-size keyboard with number pad is recommended (extra transport controls on the number keys).Trackpads and "Magic Mice" also work well. A standard 3-button mouse with scrollwheel is recommended.2Gig or more RAM is highly recommended (or much more, if you use sample-based virtual instruments). ![]() 2+ cpu cores/processors are highly recommended.An audio-based distribution such as AVLinux, UbuntuStudio, or CCRMA is recommended. 64 Bit system with kernel version 2.6 or higher.Supported plugin formats: VST, VST3, and LV2.But Mixbus can also use built-in soundcards (choose the MME driver). ASIO audio devices are preferred for high performance.Supported plugin formats: AudioUnit, VST, VST3, and LV2.For M1 and M2 mac hardware, a 'native' M1 build is provided (Use the Mac-ARM version).There is a free "demo" version to see if Mixbus works with your setup. Mixbus v8 and Mixbus32C v9 run on nearly any desktop or laptop computer running a 64 Bit version of Windows, Mac, or Linux.
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